MountainMornings

It’s true, I’m just an old arts and crafts counselor at heart, who was masquerading as a boating and canoeing counselor at Camp St Joseph for Girls. Teaching water skiing by day, and knitting at night. Over the years I’ve tackled: crocheting Irish flowers; needlepointing fancy footstools; Celtic cable knitting; sewing pandemic masks; and quilting elephant crib toys. Those tiny grey elephants of differing shades and textures, suspended over a new baby’s crib, gave me the most pleasure. That is, until now.

The arts festival we bumped into on our glamping getaway is the reason my kitchen is doubling as a sewing room, again. The owner of a little shop had the cutest small, handsewn pumpkins I’d ever seen. If you’d rather have a real pumpkin slowly dying on your front porch read no further. Bob and I are finished carving pumpkins and roasting seeds. But if I were to decorate, and that’s always a big IF, for Halloween, I’d want something sustainable that can do double duty on Thanksgiving. So I paid attention when instructions were given on how to quilt patchwork pumpkins, and then I heard,

“You can always look it up on Pinterest, DIY Fat Quarter Pumpkins!”

What the heck are fat quarters? Well a fat quarter is a piece of fabric cut crosswise from a 1⁄2-yard piece of fabric – ie an 18×44″ rectangle cut in half to yield an 18×22″ “fat” 1⁄4-yard piece. And it just so happens the store had bunches of ‘fat quarters’ already cut in lots of fall colors and patterns ready to sell. Surprise. My next grandparenting craft activity, after mosaic birdbaths, was set! I hauled out the ironing board and iron and started cutting out cardboard ellipses as pumpkin templates.

It just so happens that the war in Israel and Gaza has been escalating in tandem with my pumpkin project. The Grands finished their pumpkins in a day last weekend, but then I couldn’t stop. In the middle of a brutal conflict half a world away, I’ve found some comfort in keeping my hands busy, in making something beautiful despite growing despair. Bob reminds me that I have no control over the Mideast; I remind myself that I do have control over needle and thread.

I walk through the Fall garden, still trying valiantly to hang on. The sage and rosemary are bountiful while the tarragon begins to wither. This is my favorite time of year – a time to think about new beginnings, for harvesting, a birthday season for my family. The unbearable heat of a southern summer is gone. This is the time of year to witness squirrels collecting nuts and cardinals standing out like sentries in trees.

Thankfully my Parnassus book arrived in the mail – “The Comfort of Crows: a Backyard Year,” by Margaret Renkl. Her words about nature, about the flora and fauna in her own backyard, are a balm. Her stories soothe me into sleep.

As we move through the seasons—from a crow spied on New Year’s Day, its resourcefulness and sense of community setting a theme for the year—what develops is a portrait of joy and grief. Joy at the ongoing pleasures of the natural world: “Until the very last cricket falls silent, the beauty-besotted will always find a reason to love the world.” And grief at a shifting climate, at winters that end too soon, at songbirds growing fewer and fewer.” 

https://www.parnassusbooks.net/comfortofcrows

And the universal grief of war. I have to believe, to hope that peace is attainable. So I’ll continue to quilt as a meditation.