The first time I heard this phrase, “The mobility of content,” was yesterday while driving along the most glorious mountain views of Albemarle County. It was a sunroof-open-mobil moment on the good ole fashioned radio. I was listening to NPR and an interview with the creator of Netflix, talk about how they came up with the idea of original content. Most people think “House of Cards” was their first original pilot series. But no, Little Stevie’s “Lilyhammer” was being produced in Norway; they were six months in, when The Boss’ bestie cringed at the idea of releasing all of the Scandinavian mob-driven drama at once. Think of it like a record album, Steven Van Zandt was told, and so we begin.
While celebrating Ada’s 91st birthday, I grabbed her iPad and told her, “You’re gonna love this.” Ada has been a Marriage and Family Counselor for almost as long as I’ve known her. In fact, when she returned to school in the 60’s, thereby creating a role model for all young feminists in the NY/NJ metropolitan area, I had just started dating her son. “It’s about two couples, Jane Fonda and Lily Tomlin play the wives,” I crooned in her ear. I had just finished semi-binge watching “Grace and Frankie” on Netflix, a comedy about divorce loosely, and I wanted her to enjoy it as much as I had. https://www.netflix.com/title/80017537
Now I hate to get prejudicial, but for the most part I’d bet not many octogenarians+ know from streaming content. Ada is unique, in many ways, but her tech skills are particularly excellent. She gets her news online and in paper form, she shares photos and corresponds via email, although she prefers actual phone calls! She can Facetime with her Great Grandchildren in Nashville, and now I’ve got her on Netflix! We only watched two episodes of “Grace and Frankie” while I was there, but I’ve got a feeling this woman who wrote her dissertation on humor in conflict, will become addicted in no time.
My guilty pleasure is watching “Bloodline” late at night when Bob’s working the evening shift. I’ve plowed through all the original content Netflix has to offer, “House of Cards,” “Orange is the New Black” and yes, I even started out long ago with “Lilyhammer” when we first got our Apple TV. I can watch Netflix on a plane, on a train, or even in the rain. I don’t like to watch on my phone however, even though “Lawrence of Arabia” has been watched on cell phones worldwide more than any other content. Imagine that.
But “Bloodline” is skeeving me out. It’s Shakespearian in its ethos, a family tragedy enfolding in the beautiful Florida Keys. If you want to see what drug/alcohol addiction is really like, how it can corrode character from the inside out, just watch Ben Mendelsohn play the “bad” brother Danny. And our Albemarle neighbor, Sissy Spacek, is compelling as the Rayburn family matriarch.
“Bloodline” is cleverly constructed, but a lot of the mystery hinges on Danny. Mr. Mendelsohn (who made his name in the United States in the Australian crime drama “Animal Kingdom”) is suitably inscrutable — his character is a quicksilver manipulator who can seem benign one second and malevolent the next. His good looks are bleached out by bad behavior, and only his smile, wryly sweet but fleeting, restores his boyhood charm. At his best, Danny seems well-meaning and misunderstood; at his worst, he looks a little like a middle-aged Robert Durst. http://www.nytimes.com/2015/03/20/arts/television/review-bloodline-on-netflix-depicts-a-family-with-nasty-secrets.html
Since we can carry our entertainment with us, wherever we go, and now not just with Netflix, but Amazon, Hulu, Google and even HBO will be streaming content, http://www.digitaltrends.com/movies/best-media-streaming-sites-services/ I wonder how this will change story telling. Or is a good story a universal thing of beauty, passed down in its oral tradition from generation to generation, since we could paint an image on a cave.