Ann Patchett was sitting right in front of me last night at Parnassus Bookstore. We were listening to Meg Wolitzer read from her new book, “The Female Persuasion,” when Ann (I hope I can call her Ann since I see her so much around town) asked if the sum of a writer’s work isn’t simply an aria – one voice:
“aria, an elaborate accompanied song for solo voice from a cantata, opera, or oratorio.”
In other words, every book you write is saying something about you, about what’s really important to you. Your subjects may change, your place in time or your landscape may change, but your unique Voice, your Point of View comes through consistently, almost unwillingly.
And Wolitzer has written plenty of books, in fact this is her tenth novel. She notes that she actually started writing “The Female Persuasion” a few years before the #MeToo movement, but she has always been interested in female friendships, and the power dynamics in relationships. This book pivots around a college campus where a young female student, Greer with a streak of “electric blue hair,” is mentored by an older feminist writer, Faith Frank.
The audience last night was a mix of ages, young feminists with severely short hair, mixed in with my aging variety and a few men. One shop dog named Bear strolled around the room, while the smaller variety, Mary Todd Lincoln was cradled in a baby wrap on a bookseller’s hip. Wolitzer read from her opening chapter, where Greer is groped by an entitled frat boy at a party her freshman year. I wondered how many of us could relate to that!
I thought about a friend’s son, a quiet innocent boy, who went off to college only to be expelled after an episode with a girlfriend he dared to break up with – he was an unsuspecting sheep while she turned into a wolf. I thought about the UVA Lacrosse player who was killed in her dorm room by her off/and/on boyfriend. And that girl who was raped and left outside a garbage can at Stanford.
“Novels can be a snapshot of a moment in time, or several moments in time, and as a reader that’s what I really like, and as a writer, it’s what I’m drawn to also. It can’t be a polemic. I’m always saying, What is it like? That’s one of the mantras of writing novels for me. And then, in the game of musical chairs, the book is coming out now.”
http://www.vulture.com/2018/04/meg-wolitzer-doesnt-want-to-be-tied-to-a-moment.html
Wolitzer would call her publisher and ask her assistant first, a millennial, “Before you put me through, tell me, what was it like being a feminist at your college?”
And that was my question. At my Boston college in 1966 we didn’t have the word “feminism” yet. We couldn’t wear pants outside our dorm, we had to wear a dress or a skirt once we left the brownstone. We didn’t have birth control pills or roofies or mind-altering drugs, yet. There was obviously no social media, if a girl dropped out, you assumed she got pregnant. We didn’t wear bobby socks, we wore knee socks. We had no recourse, no defense; we huddled together and traded tricks sneaking into the Beacon Street residence after curfew.
We had a phone booth in the downstairs lobby!
Strangely enough, Wolitzer hits her mark writing about today’s college culture, about those times in our lives when we meet someone who will change our trajectory. Her generation is just behind mine, a decade younger – the second (or is it third) wave of feminism. And she mentioned that another Nashvillian, Nicole Kidman, has optioned the rights to play her character Faith in the movie.
My first thought was, so Kidman is playing a mid-60 year old woman? And I immediately slapped that thought away as too judgmental, the opposite of feminist, after all maybe Helen Mirren is unavailable!