MountainMornings

Come senators, congressmen, please heed the call
Don’t stand in the doorway, don’t block up the hall
For he that gets hurt, will be he who has stalled
There’s a battle outside and it is ragin’
It’ll soon shake your windows and rattle your walls
For the times they are a-changin’.

What was it about the Nashville Symphony on Sunday night? Steve Hackman, a young conductor from LA, walked out to the podium with his long arms and long curly hair and faced the audience, telling us how he came to compose “The Times They Are A-Changin: The Words and Music of Bob Dylan.” He introduced the first violin; behind the orchestra sat row upon row of the Nashville Symphony Chorus, over a hundred voices strong.

As Hackman raised his baton to conduct one of the first pieces, “Tangled Up in Blue,” I could feel the knot in my throat constricting. Admittedly, I was already feeling blue – from the never-ending rain and the political parody of the last few years – from a week-long insult to our collective intelligence that was playing itself out on the Hill. I was feeling discouraged, resigned to a president who was like a demagogue, with an attorney general guarding his flank, and a lapdog/senator, who did his bidding.

Early one morning the sun was shining
I was laying in bed
Wondering if she’d changed at all
If her hair was still red

As the music swelled and the chorus of voices swept through the Schermerhorn Symphony Hall, Bob and I looked at each other. This evening would turn out to be a metaphor for our lives together, for the 60s and the 70s; tender yet explosive at times. We somehow knew, through war and divorce, we would find our way back to each other. We would meet again “…someday on the avenue.” Next came “Don’t Think Twice, It’s Alright.”

And it ain’t no use in turning on your light, babe
The light I never knowed
And it ain’t no use in turning on your light, babe
I’m on the dark side of the road

I forgot what it was like to be immersed in a musical experience, to close my eyes and allow the strings and chords to penetrate my soul. This wasn’t an Italian opera, the words were in English and they defined my generation. Tears were slowly rolling down my cheeks by the time the chorus began “I Shall Be Released.” Is this a plea for death to come, to cover us like a well-worn blanket? The last phrase is about standing in a lonely crowd, next to a man who swears he’s not to blame…”Crying out that he was framed.”

Any. Day. Now. Any day now, we shall hear what our senators are willing to do to keep their seats, to retain their power. Will they continue to cover-up his perfect phone call? To pretend our president wasn’t granting favors to other authoritarian leaders around the world?

In 2016 Bob Dylan won the Nobel Prize for Literature, for having created “New poetic expressions within the great American Song tradition.” He put off traveling to Stockholm to receive his medal, finally giving a reluctant speech about his influences in literature from grade school:  “Moby Dick, All Quiet on the Western Front and The Odyssey.”  Songs, he tells us, are unlike literature, they’re meant to be sung, not read.”

Finally, Dylan quoted The Odyssey: “Sing in me, Muse, and through me tell the story.”

In this New Chinese New Year, have I become just another Cassandra, writing prophesy that no one will believe, warning my readers that our democracy is at a tipping point. That we are doomed to repeat the past if we simply stand by and do nothing. Nixon knew enough to leave, and Clinton knew enough to apologize for lying. This lying, malicious president knows nothing, which is far worse.

Today is T’ai Chi Tuesday, a form of mindful meditation. I will find my center, and try to balance the dark with the light. I will keep calling my senators, will you?

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