It was 8 degrees this morning on my perch of the Blue Ridge. This is nose-hair freezing, eye watering, finger numbing cold, even if we still lived in the Berkshire Mountains. Which we don’t; we moved in part for warmer weather. But mostly to be closer to our daughter. Then she moved, to pursue her ER residency, to the ice capital of the South currently known as Nashville. And we’re all wondering why we didn’t follow the Rocker to LA right about now!
He texted us a weather report for the week – party sunny and 70s all week out there. Which is great since the band is on the Left Coast touring. They started out in LA at the Echo Tuesday night and a little birdie told me it was “…packed to the back.” Guess you can’t say, “…standing room only,” since everybody stands and rocks out all night. To check out their tour dates, and download “Cry Wolf” just skip ahead to their website: http://www.parlormob.com
“It’s the first thing we’ve produced ourselves with no outside involvement from anyone else for about 10 years, since we made our first record,” said guitarist Dave Rosen. “We didn’t really have any concern for anything else other than exactly what we wanted to do. So, we went a little crazy, basically.”
Imagine that, artists writing, recording, producing their own music. Bob was asking me if I ever heard of the Brill Building, sometimes called the Glass Building, and I said, “Nope.” So naturally I got a little history of music lesson. It’s located at 1619 Broadway and 49th Street in Manhattan, at the heart of the Theatre District. While we all know about the Motown sound coming out of the Hitsville Studio in Detroit, and Country coming from the Ryman, New York was doing music this way in the 50s and 60s.
“After its completion in 1931, the owners were forced by a deepening Depression to rent space to music publishers, since there were few other takers. The first three, Southern Music, Mills Music and Famous-Music were soon joined by others. By 1962 the Brill Building contained 165 music businesses.”
In essence this was called vertical integration. If a songwriter was looking for an artist and a publisher for their song, this was the place to be. In fact, “There you could write a song or make the rounds of publishers until someone bought it. Then you could go to another floor and get a quick arrangement, lead sheet for $10, get some copies made at the duplication office; book an hour at a demo studio; hire some of the musicians and singers that hung around; and finally cut a demo of the song. Then you could take it around the building to the record companies, publishers, artist’s managers or even the artists themselves. If you made a deal there were radio promoters available to sell the record.” http://www.history-of-rock.com/brill_building.htm
So before the internet, artist/songwriters needed all these middlemen, to get their music off a napkin and out to the public. Carole King had a cubby in the Brill Building, so did Neil Diamond, Paul Simon and Burt Bacharach. The power was in the hands of the publishers, not the artists. Today we have Pharrell Williams, the perfect example of a singer/songwriter/band/member who now runs his own multimedia company, hat and all. I mean I’d be happy too, wouldn’t you?
Happy touring boys, wish I could be at the Vegas show!