MountainMornings

Hold the applause and pass the champagne for our little coterie of writers in Cville. This past weekend I attended another writing workshop on Memoir at The Writer House. Our fearless leader, Sharon Harrigan, helped us dig into our past, crystalize our vision and discover a theme that might shape the story of a life. This town is a veritable estuary of literary types, it seems I have found my people!

Although I’m not crazy enough to think my life story gives me the right to run for President, for instance, I wondered if it’s worthy of a book, I thought that delving into my past could help me structure the fictional story I’ve been working on for years based on the life of my Flapper. You see, I didn’t really get to know my biological Mother until I moved in with her at the age of 12, and I never knew my birth Father. He died of a brain tumor when I was seven months old.

I could write a scene about the automobile accident three months later, on July Fourth weekend in 1949, our family’s Year of Living Dangerously, only through the eyes of my sister Kay. It might start like this scene in a drugstore in Scranton, PA:

Robert P. Norman’s name was emblazoned on the door and he was always happy to see us. I’m the oldest, and only girl at home, so I’m the sugar in his coffee. Only lately, Daddy was having trouble moving his left arm, and sometimes he had headaches, headaches that sent him stumbling towards his office in the back. I was heading there to see if he needed me when I heard my name.

She was fourteen at the time and is currently my living archive. She helped our Father pound chemicals into pills in the back of his pharmacy. After the accident, she was in a coma for a month. She had to care for me that summer and her brothers, and eventually the Flapper when she was discharged from the hospital, her dancer’s legs broken in so many places she would never walk normally again.

But first I had to get to know myself better. Sharon had us make a list of our quirks, which was a fun exercise and kept me busy jotting down things like:

• “I need to keep my hair short, or I’ll twirl it all the time;”
• “Small talk is painful, but I’m told I’m good at it;”
• “Sleep will sometimes elude me for no particular reason;”
• “I stop for stray dogs.”

I was getting discouraged, my quirks didn’t seem quirky enough. Then someone said we should ask a friend or family member to list our quirks. Genius!

“You have to load the dishwasher a certain way,” Bob said. Now that is true, and it did show up at the end of my list. I’ve even been known to return to a dishwasher only to reload it, if someone else was kind enough to “help” with the dishes.

I’m also pretty particular about hanging clothes out on a line. One of my very first memories is of getting stung by a bee under clouds of crisp white sheets floating above me on a clothesline.

And I love to dance. The Flapper signed me up for ballet at Phil Grassia’s studio in NJ. I chased a dream in high school and commuted to Martha Graham School in NYC to study modern dance. I continued to study all types of dance under Bill Bales at SUNY College at Purchase.

And when Bob, who never liked to dance, wouldn’t take me to our Junior Prom at sixteen, I asked our good friend Bernie. Because I was that girl who had two Mothers and was never afraid to ask for what I wanted. I guess that was pretty quirky in 1965.