We picked up the L’il Pumpkin at school mid-morning. It was going to be a fun day, going to the Children’s Theatre to see The Little Mermaid, then lunch and on to Hannukah. But we had a long holding session in the lobby before the play with a few other schools, so I headed over to the large center table covered with paper, crayons and writing prompts.
“Ariel and her father the King are having trouble understanding each other. What do you wish adults could understand better about children?”
“What do you think,” I asked my little grandson.
“Listening,” he said without missing a beat.
And a light went off; I thought about the term “active listening,” like some ancient artifact that had washed ashore in my brain, back before parenthood. While studying child psychology, I knew even before reading a text that some people are checked out when it comes to their kids, and some are just naturally checked IN.
This was long before we had tiny smart phones to ding and buzz our attention away from our children. Just as we need context to read and comprehend, we need to hear between the lines in order to communicate well with little people. Sure meltdowns can happen, but if we are paying attention, we can usually avoid them.
I was recently involved in a conversation with one of Great Grandma Ada’s friends. He had been a professor at Vanderbilt in his youth, now well into his 90s he liked to paint beautiful, vivid landscapes. I was aware of how effortlessly we spoke, and it’s hard to remember what exactly we spoke about, but it started with Brexit. The rare thing of beauty was that here was a man who was listening – he wasn’t turning his head away, or nodding, or looking at his watch. He was engaging, and our words flew elegantly back and forth.
You don’t have to be a Disney princess to get into hot water with your parents. The L’il Pumpkin told me he was glad Ariel smashed the magic shell containing her voice, thereby breaking the sea witch Ursula’s spell. I thought about the many voiceless women, throughout his/herstory, who were destined to live a constrained life; tied up in apron strings, never learning to drive a car (like Nelly, my foster mother), living in a “Doll’s House” like Nora herself, or Shakespeare’s Rosalind before her.
I hope our grandson grows up to be a good listener, to be a mensch. Watching him skip back to our car, holding Bob’s hand in the parking lot, my heart melted a little.
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